Shankar mahadevan breathless song time
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#SHANKAR MAHADEVAN BREATHLESS SONG TIME MOVIE#
Shankar along with collaborators Ehsaan Noorani and Loy Mendonsa created some of the most memorable movie music in 2000s. Of late, however, they have cut down on composing Hindi film music. Is the withdrawal related to the kind of music being churned out today? He denies that. “We are very much still composing music for Hindi films, not as much as we used to but last year we did Bandish Bandits. Now we are very selective about our work. Anything we do, we add bits of classical music because those are the roots of our culture,” the singer says. Talking about the slow decline of original music in the Hindi film industry, the composer says, “I am nobody to comment on why it is not happening today. It is everybody’s personal choice and everybody has a different way of composing. However, I think the primary reason might be that the person who makes the music is different from the person taking the decision to put out the music. The power of the person who decides which music will come out - is a non-music person. Music is created by someone who understands it.”Įmpathising with the struggle to make original music, Mahadevan says, “We should not blame music composers. I don’t think the music composers have a say today, the producers and music labels believe that by remixing an old song or adding some rap and beats to an old song will make it successful. I don’t think they are thinking about musicality, or sustainability, or giving out new melody. It is about business it is about Friday-Saturday-Sunday crowd pulling. They don’t care if music works or doesn’t. They are not worried about who is singing or how it is being received.As part of the Qatar India 2019 year of culture, Naveen Kumar performed Music of Bollywood with Qatar Philharmonic Orchestra sponsered by the Embassy of India in the 8 Feb, 2019 in Qatar National Convention Center - Almayasa theatre. This is a performance of the famous song by the grammy winning music director A.R.Rahman, called the Cry of Rose from the movie Roja(1992) I feel privileged to have played for this wonderful movie then and feel thrilled every time I perform it.Īrtist whom performed Pt.Tanmoy Bose, Pt. #BREATHLESS BY SHANKAR MAHADEVAN LYRICS MOVIE# Ravi Chary, Ratul Shankar, Madhab Deka, Pervez ji and Pranav Robin. It’s purely performed to serve as entertainment for those viewing.
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Courtesy of Lahari music.Ĭoordinated by Naveen Music Production, Mumbai. Known and loved for her endearingly honest voice and soulful playing, Indo-American singer, flautist and composer Rasika Shekar’s music is a vibrant confluence of diverse musical worlds, rooted in Indian classical music. #BREATHLESS BY SHANKAR MAHADEVAN LYRICS FULL#.#BREATHLESS BY SHANKAR MAHADEVAN LYRICS MOVIE#.The album’s magnificent achievement is, of course, Breathless! Transcending the gimmick of breathless, non-stop singing, Shankar produces a highly engaging Yaman Kalyan raaga based melody and adorns it with some scintillating music that keeps the sound steady and unwavering, to prop the breathless idea. It seems to me like Mohanam raaga and it gets even better with the Pahadi-style interludes. Ghul raha hai‘s melody is really affecting and pleasant. Koi nahin hai‘s desolate sound and lyrics combination takes flight when Shankar splendidly reaches for the higher pitch with the ‘Ik gehra dukh’ line! That ad-jingle style ‘Woh din bhi kya the’ interlude is an interesting diversion before closing the song with classy violin backdrop! Mano ya na mano is an early sign of the music that we eventually came to identify with the Shankar-Ehsaan-Loy trio! The sound is still very Indipop of that late 90s, but the racy desi tune is very reminiscent of what the trio produce so often. Tere khayalon se‘s exotic sound is perhaps owing to its possible use of the Middle Eastern’ish Vakulabharanam raaga and the music is early Rahman-style, complete with a pulsating ‘Deewana’ interlude. There’s some fantastic guitar work for the interludes, even as Shankar’s tune for the antara too being so good! Taufiq effortlessly works his magic in Jane kya hua too! Shankar’s tuning of Javed Akhtar’s reminiscing verses in staccato sentences is really catchy, closing with the almost-Bhajan’ish kumbaya! Shankar’s handling of Javed Akhtar’s lovely lines, by extending each line without a break is a neat touch before he opens the melody with the ‘Harpal yahi’ connection. Taufiq Qureshi’s gradual build-up in the percussion really kick-starts Tu paas hai beautifully.